My play ALWAYS WITH ME at the Players Theatre in Greenwich Village

In an earlier post I had mentioned that my play ALWAYS WITH ME was to be featured in the Players Theatre Short Play and Musical Festival in Greenwich Village.  The theme of the festival is: NYC – Only in New York.  Here are the additional details as promised.

Performance dates:
Thursday, June 8 @ 7:00 PM
Friday, June 9 @ 7:00 PM
Saturday, June 10 @ 7:00 PM
Sunday, June 11 @ 3:00 PM

The cast:
Max Hanau as John
Kasey Moorhouse as Ellen
Sophie Larin as Susan
Directed by Pamela Wilson
Assistant Director Chelsea Robinson

Tickets will be on sale soon at http://www.shortplaynyc.com/ for $30.  If you use the discount code CAST you save $10 each.  Reservations are recommended.  We are the first weekend of a three week festival.  There are four other plays in our weekend and the audience casts ballots each night on best play with the winner for each weekend receiving a $100 prize.

This play (with a slightly different cast) will be performed again for Plays & Prestidigitation 8: That Certain Someone Edition at Polaris North (www.polarisnorth.org) July 14-16.  It will be on a bill with other short plays including my play BABY TALK.  I also host this weekend with magical interludes between each work.

I hope you can join us for one of these performances coming up soon.

 

Players Theatre 6

As always you can find more at http://www.walterthinnes.com and on Twitter @walterthinnes

Laugh Hard at The Play That Goes Wrong

Had the delightful chance last night to catch The Play That Goes Wrong on Broadway.  I haven’t laughed so hard in a very long time.  One of my favorite plays is Michael Frayn’s Noises Off (which I have seen several times).   Believe it or not, this is an even broader version of the same concept.  Essentially an amateur drama society is putting on a performance and nearly everything possible goes wrong.

(In my younger days I was in a performance of a British farce Run For Your Wife.  As my character stormed on stage I point to another character on stage only to find the doorknob had come off in my hand as I brought it forward.  I ad-libbed “This house is falling apart at the seams” – which was appropriate and sneaked it off stage to a stagehand who fixed it in the act break.  Now multiply that by a million times.)

The only TONY nod it received was for the scenery, which certainly deserved a nomination.  It is as much a character as any performing on stage – who are all excellent and limber and blessed with excellent timing.  It is every amateur theatrical disaster in one performance.  This is not quite as profound as a Long Days Journey Into Night, but I would estimate it has about two million more laughs.  Don’t miss it.  Just for fun.

BWAY The Play That Goes Wrong

As always you can find more at http://www.walterthinnes.com and on Twitter @walterthinnes

The Imbible – A Spirited History of Drinking

Had some friends in town and we wanted to go out but for something fun, no ballet, no opera, not even theater.  So we found this off-Broadway gem at New World Stages – a show held in their bar – The Imbible – A Spirited History of Drinking.

Anthony Corporale, the writer and host for the evening is a terrific guide through alcohol in our culture.  I loved the show because it combined two of my favorite pursuits – history and booze!  The supporting cast of singers, dancers and comedians were terrific as well.

And you get three cocktails with the show.  I had assumed these would be tiny samples in mini plastic cups but they were honest to goodness drinks in glassware.  And quite good at that!  It makes a great evening for a social occasion and a fun way to spend a night out.  They have three offshoots we may look up as well – Daytime drinking for Memorial Day weekend, Pirates and Rum for the summer, and a special Christmas edition.  I’m guessing that includes nog.

OB The Imbible- A Spirited History of Drinking

As always you can find more at http://www.walterthinnes.com and on Twitter @walterthinnes

Hello Amelie, Goodbye Amelie

The movie that the Broadway new musical “Amelie” is based on must be one heck of a charming film based on the effort demonstrated last night at the Walter Kerr theatre.  Lost on me, however, as I never saw that film and could not make heads nor tails of the muddled mess I saw on stage.  I was in a distinct minority in a supportive audience but to me it seemed interminable.

It is not the style that put me off.  I am a big fan of quirky, grand Michel LeGrande musicals.  Give me some “Umbrellas of Cherbourg” or “Amour” any day of the week.  And there was plenty of talent that went into this work.  Phillapa Soo was sparkling on stage and everyone, including the abundant animations worked very hard to win over my heart.  But it never seemed a focused or effective narrative.  My guess is that the creators slavishly musicalized the film instead of striking off in their own direction to tell the story (and stage musicals are different creatures from art films).

Though the audience was enthusiastic I was not the only naysayer.  It had middling to poor reviews and received no TONY nominations at all.  Though I did not see the Twitter announcements until after the 3 hour show (sorry just seemed that way, only one hour forty minutes) apparently a closing notice was posted at half hour.  It ends May 21.  See it before it closes.  Or not.

BWAY Amelie

As always you can find more at http://www.walterthinnes.com and on Twitter @walterthinnes

A terrific Bandstand on Broadway

What a rousing good time that has you crying one moment and cheering wildly the next. The new American Musical Bandstand is a terrific show.  It helps that I like swing music and a whopping good story.

The performances of the entire cast, especially Laura Osnes, Corey Cott and Beth Leavel, are first rate.  The energy and choreography is fantastic.  And I have a new theme song – “Everything Happens” in the second act.

All that said, I am afraid this will not be around so long.  With limited Tony nominations – and not for Best Musical- it may not be able to stand out enough at the box office.  Especially in a season where we have 13 new musical on Broadway – and some of those outstanding and flashier.

So see it if you get the chance.  Before it flies away.  I’m confident you will enjoy it as much as I did.

BWAY Bandstand

As always you can find more at http://www.walterthinnes.com and on Twitter @walterthinnes

“Always With Me” Invited to Short Play Festival

I am thrilled to announce that my play “Always With Me” has been invited to the Player’s Theater Short Play Festival scheduled for dates to be announced in June 2017.  The theme of the festival is “Only In New York” and we will be producing the play ourselves.  More information as it becomes available!

Players Theater Short Play Festival NYC

As always you can find more at http://www.walterthinnes.com and on Twitter @walterthinnes

A Doll’s House Part 2 – one part too many

I mentioned in my last post that I had two contentious reviews and this is part 2.  Lucas Hnath’s “A Doll’s House, Part 2” has opened to uniformly rapturous reviews.  I’m sorry to say, I am a lone disagreer.

Don’t get me wrong, I enjoyed the night in the theater.  Sam Gold has directed a smoothly moving production and shepherded great performances from Laurie Metcalf, Chris Cooper, Jane Houdyshell, and Condola Rashad.  The concept is intriguing and the debate lively – but three objections on the script:

  • The play uses modern vernacular with no attempt at placing the characters into their supposed actual time – 15 years after Nora storms out of her “doll house” to face the world, creating contemporary theater and the first feminist character.  The anachronistic costumes and settings clashed with the dialogue and debate.
  • Even with all the debate there seemed no urgent need to trod this ground.  Beside rehashing old arguments from the play and spinning them around again to the same result (spoiler alert, Nora slams the door behind her again at the end of the play) there seemed nothing new.
  • And having used the word debate three times already in my description, that is just my issue.  It seemed an academic presentation rather than a true character exploration.  Throughout I felt I was hearing the playwright’s voice (especially in the Emma section) and not the character’s voice.  It was a classroom lecture dressed up in 19th century clothing.

I know my take is far in the minority and I have questioned myself many times since I saw the show and then read the reviews.  But I cannot shake my feeling, even after looking over it closely.  Glad I saw it, but wish it had taken a different approach.  Lucky for the participants and the production, mine is a distinctly minority viewpoint.

BWAY A Doll's House Part 2

As usual you can find more on http://www.walterthinnes.com and on Twitter @walterthinnes

The Little Foxes on Broadway

The next two Broadway reviews will be a little more contentious than usual.  I had the chance to see “The Little Foxes” as part of my subscription to Manhattan Theater Club.  This production is first rate with terrific direction and performances.

Laura Linney is one of my favorite stage actresses of all time.  She alternates roles with Cynthia Nixon and the night I saw it, my lovely Laura played Birdie, the smaller of the roles but I think more complex and impactful.  She was perfect as always.  She can do no wrong.  Cynthia Nixon was terrific as Regina.  The big surprise was Michael McKean who I have largely seen in light or comic roles.  In this production he was fabulously evil and calculating and complex.  A terrific portrayal.

The contentious part?  Pamela considers this a seminal important work in the American canon.  I consider it a well written Southern Gothic melodrama, so let’s just say we disagree on the merits of the script.  But we agree strongly on the strength of the production.

BWAY The Little Foxes

As always you can find more on http://www.walterthinnes.com and on Twitter @walterthinnes

Six Degrees of Separation on Broadway

John Guare’s script for Six Degrees of Separation has always been on of my favorites.  I didn’t live in New York when it premiered in 1990 and so did not see the original production.  But I did buy a script and performed in a reading in Florida.  And, of course, it established a meme that thrives to this day, a bit of relevance few contemporary play scripts can claim.

This production is first class.  Allison Janney, John Benjamin Hickey and Corey Hawkins lead a talented ensemble that takes us on a fabulous ride.  Well, the script is the locomotive and once it starts rolling it never stops.  What a great production.  I knew I loved the script and this confirms why.  Under the expert direction of Trip Cullham this is certainly a top candidate for best revival as it is seamless and still compelling.

This is a must see limited run.  Don’t miss it.

BWAY Six Degrees of Separation

As always you can find more on http://www.walterthinnes.com or on Twitter @walterthinnes

The Price on Broadway

Had the chance last night to catch “The Price” by Arthur Miller in its most recent Broadway revival.  I’ve seen different versions of the play including the 2000 Broadway Revival.  Arthur Miller is one of my favorite playwrights and this is among his best scripts.

The cast includes Mark Ruffalo, Esther Franz, Tony Shalhoub and Danny DeVito in his Broadway debut.  Danny’s role is a natural scene stealer and he plays it for all its worth.  Every member of the cast is exceptional and this version is well worth seeing.

I’m trying to move to the next level of my own playwriting and have thus far existed in the natural realism that Miller resided in.  While that as gone out of style it still plays well.  Having seen John Guare’s Six Degrees of Separation (another of my favorite scripts) recently as well as Paula Vogel’s Indecent (incredible) I need to figure out where I go next.  Stay tuned.  And see The Price before it departs in mid-May.

BWAY The Price 2017

As always you can find more on http://www.walterthinnes.com and on Twitter @walterthinnes