Audience Choice Award for ALWAYS WITH ME

Yesterday I received the following:

Congratulations to Walter Thinnes whose play “Always With Me” is the week one winner of the 7thannual Players Theatre Short Play and Musical Festival – NYC 2017!  This wonderful production was directed by Pamela Wilson with assistant director Chelsea Robinson.  The talented cast included: Max Hanau as John, Kasey Moorhouse as Ellen and Sophie Larin as Susan.

In the recently completed festival the audience receives a ballot with their program and chooses two shows from the slate they see that night.  Many audience members are there because they know a writer or cast member and they can be counted on voting for that show.  In theory the second vote balances that factor.  We had very few people we knew at the program which means we had a great preponderance of those second votes.  And no wonder.  Pamela and Chelsea did an amazing job and these actors are supremely talented.  I am very proud of this production.

Soon I will catch up with very late commentary on the recent Tony Awards.  Good thing I am only a blogger and not a journalist with a deadline!

Audience Choice Award

As always you can find more at and on Twitter @WalterThinnes

Thrilled with ALWAYS WITH ME

My short play ALWAYS WITH ME opened last night for a weekend run at the Short Play and Musical Festival at the Players Theatre in Greenwich Village. Tickets are on sale at for $30.  If you use the discount code CAST you save $10 each.  Reservations are recommended.  We are the first weekend of a three week festival.  There are three other plays in our weekend and the audience casts ballots each night on best play with the winner for each weekend receiving a $100 prize.

The Players Theatre puts on three self-produced festivals each year and the theme of this one is “Only In New York.”  ALWAYS WITH ME is my “9/11” play and this is the first full production of it.  It has had several developmental workshops and readings.  I must say that I am absolutely thrilled with this production.  All credit goes to:

Max Hanau as John
Kasey Moorhouse as Ellen
Sophie Larin as Susan
Directed by Pamela Wilson
Assistant Director Chelsea Robinson

These good people, working together, have mined new insights in the work and provided it with thrilling vitality.  As a team works over a play, we know the ending.  We know things the audience cannot ever know.  It is very easy to toss off or overplay a playwright’s adumbration (yeah, cool word I recently learned – look it up, it is worth knowing and I realized this is very much the job of a playwright) An easy homework assignment really as most systems allow you to capture and look up the word just as you read it.  The subtlety is reflected in the “umbra” at the base of the word.  Cool.

Anyway, we had some friends who attend lots of theater at the show last night.  We did not explain anything before so they saw it cold.  They experienced it exactly as I wanted. There is a bit of confusion and uneasiness at first and when the “reveal” happens they immediately spooled back and catalogued the oddities they observed, fitting perfectly into their new understanding.  It is all I can ask of a short play and this cast and the directors did a brilliant job.  Can’t wait for the rest of the run.

Players Theatre cast curtain call

Sophie, Kasey and Max taking their well deserved bows….

As always you can find more at and on Twitter @WalterThinnes

Happy Birthday to my Tomato Plant

A little over a year ago I bought a Miracle-Gro AeroGarden for my small New York apartment.  It is a simple hydroponic device with a grow light.  Pretty cool.  I started several plants for fun and there is a monitoring device to check for water level, remind you to add food and track how many days have passed since you planted.  That little timer tells me that the tomato plant you see in the picture is 365 days old!  All the other plants went to that great garden in the sky but this beauty is still cranking out cherry tomatoes as you can see.

This is not an economical method for sure.  Between power for the grow light and circulating pump and the refills of distilled water (yeah, they told me it would help and that tomato plant is darn thirsty!) I spend much more money on this little project than I would if I just bought cherry tomatoes from the local market.  But it is lots of fun and I sure know exactly where this produce comes from.

That companion plant beside it is basil.  It came later and not pictured is a small companion planter with three more.  Of course it is a delightful addition for a Caprese salad (haven’t yet sprung for a water buffalo to supply the milk for fresh mozzarella, maybe next year).  Especially good is a weekly dose of fresh pesto I make when I trim the plants back for the freshest concoction you can imagine.  Pardon me, need to go out and plow the south forty before dinner.

Tomato plant after one year

As always you can find more at and on Twitter @walterthinnes

Showing Mom Around

Sorry I haven’t been blogging lately.  Or you may be quite relieved!

My mother (nearly 80 now) just visited my home in New York and boy did we have a great time.  She stops by every year or so and has no interest in tourist sites or even our roster of great restaurants.  She wants food shopping.  We hit all the great spots and she takes home lots of goodies back in Florida where she has three freezers.  She cooks a lot (must be where I got it from) and loves to put things up for later and for neighbors.

So we went to Arthur Avenue in the Bronx (the real live Little Italy in New York) where she stocked up on great stuff, Murrays Cheese Shop and Chelsea Market (one of her favorite spots), Union Square Green Market, and Sables for fresh whitefish salad, bialys and other good stuff.

Finally I took her to a lovely gourmet store called Agata and Valentina.  She has specified that it will be the first stop on her next trip (to pick up fresh products for me to cook up for her visit) and her last stop (for her to stock up on things for her to bring home).  Yep, a good trip.

Always exhausting looking after her and always exhilarating watching her love the food discoveries.  I’m a pretty lucky son.


As always you can find more at and on Twitter @walterthinnes

MEETING WITHOUT END gets a spin at Mary Baldwin University

This weekend I visited Mary Baldwin University in Staunton, VA.  There I had the chance to see a performance of the theater department’s spring plays titled “The Play’s the Thing.”  They presented a number of short works directed, performed and generally written by students.  My niece Julianna (Toni) Thinnes chose one of my short plays MEETING WITHOUT END as her directing class project.  I’ve seen a number of different productions of this work and Julianna’s version differed significantly from previous versions.

That is one reason I enjoy seeing my scripts performed and why I give directors wide latitude in how they choose to shape them.  As far as I am concerned there is no “right way” to stage one of my works.  Sometimes I learn something unexpected along the way.  This particular script is a rendering of a corporate meeting full of trite phrases and business catch words that get progressively mangled along the way.  Most directors have played it straight but Julianna turned it into the circus underlying the concept.  Interesting.

Staunton itself is a lovely little town but I must admit that it was hard to find a place for a drink when we wanted it and crossing the GW Bridge back home was a nice relief.  Glad to visit, happy to live in Manhattan!

Walter and Julianna

As always you can find more at and on Twitter @walterthinnes

My play ALWAYS WITH ME at the Players Theatre in Greenwich Village

In an earlier post I had mentioned that my play ALWAYS WITH ME was to be featured in the Players Theatre Short Play and Musical Festival in Greenwich Village.  The theme of the festival is: NYC – Only in New York.  Here are the additional details as promised.

Performance dates:
Thursday, June 8 @ 7:00 PM
Friday, June 9 @ 7:00 PM
Saturday, June 10 @ 7:00 PM
Sunday, June 11 @ 3:00 PM

The cast:
Max Hanau as John
Kasey Moorhouse as Ellen
Sophie Larin as Susan
Directed by Pamela Wilson
Assistant Director Chelsea Robinson

Tickets will be on sale soon at for $30.  If you use the discount code CAST you save $10 each.  Reservations are recommended.  We are the first weekend of a three week festival.  There are four other plays in our weekend and the audience casts ballots each night on best play with the winner for each weekend receiving a $100 prize.

This play (with a slightly different cast) will be performed again for Plays & Prestidigitation 8: That Certain Someone Edition at Polaris North ( July 14-16.  It will be on a bill with other short plays including my play BABY TALK.  I also host this weekend with magical interludes between each work.

I hope you can join us for one of these performances coming up soon.


Players Theatre 6

As always you can find more at and on Twitter @walterthinnes

Laugh Hard at The Play That Goes Wrong

Had the delightful chance last night to catch The Play That Goes Wrong on Broadway.  I haven’t laughed so hard in a very long time.  One of my favorite plays is Michael Frayn’s Noises Off (which I have seen several times).   Believe it or not, this is an even broader version of the same concept.  Essentially an amateur drama society is putting on a performance and nearly everything possible goes wrong.

(In my younger days I was in a performance of a British farce Run For Your Wife.  As my character stormed on stage I point to another character on stage only to find the doorknob had come off in my hand as I brought it forward.  I ad-libbed “This house is falling apart at the seams” – which was appropriate and sneaked it off stage to a stagehand who fixed it in the act break.  Now multiply that by a million times.)

The only TONY nod it received was for the scenery, which certainly deserved a nomination.  It is as much a character as any performing on stage – who are all excellent and limber and blessed with excellent timing.  It is every amateur theatrical disaster in one performance.  This is not quite as profound as a Long Days Journey Into Night, but I would estimate it has about two million more laughs.  Don’t miss it.  Just for fun.

BWAY The Play That Goes Wrong

As always you can find more at and on Twitter @walterthinnes

The Imbible – A Spirited History of Drinking

Had some friends in town and we wanted to go out but for something fun, no ballet, no opera, not even theater.  So we found this off-Broadway gem at New World Stages – a show held in their bar – The Imbible – A Spirited History of Drinking.

Anthony Corporale, the writer and host for the evening is a terrific guide through alcohol in our culture.  I loved the show because it combined two of my favorite pursuits – history and booze!  The supporting cast of singers, dancers and comedians were terrific as well.

And you get three cocktails with the show.  I had assumed these would be tiny samples in mini plastic cups but they were honest to goodness drinks in glassware.  And quite good at that!  It makes a great evening for a social occasion and a fun way to spend a night out.  They have three offshoots we may look up as well – Daytime drinking for Memorial Day weekend, Pirates and Rum for the summer, and a special Christmas edition.  I’m guessing that includes nog.

OB The Imbible- A Spirited History of Drinking

As always you can find more at and on Twitter @walterthinnes

Hello Amelie, Goodbye Amelie

The movie that the Broadway new musical “Amelie” is based on must be one heck of a charming film based on the effort demonstrated last night at the Walter Kerr theatre.  Lost on me, however, as I never saw that film and could not make heads nor tails of the muddled mess I saw on stage.  I was in a distinct minority in a supportive audience but to me it seemed interminable.

It is not the style that put me off.  I am a big fan of quirky, grand Michel LeGrande musicals.  Give me some “Umbrellas of Cherbourg” or “Amour” any day of the week.  And there was plenty of talent that went into this work.  Phillapa Soo was sparkling on stage and everyone, including the abundant animations worked very hard to win over my heart.  But it never seemed a focused or effective narrative.  My guess is that the creators slavishly musicalized the film instead of striking off in their own direction to tell the story (and stage musicals are different creatures from art films).

Though the audience was enthusiastic I was not the only naysayer.  It had middling to poor reviews and received no TONY nominations at all.  Though I did not see the Twitter announcements until after the 3 hour show (sorry just seemed that way, only one hour forty minutes) apparently a closing notice was posted at half hour.  It ends May 21.  See it before it closes.  Or not.

BWAY Amelie

As always you can find more at and on Twitter @walterthinnes

A terrific Bandstand on Broadway

What a rousing good time that has you crying one moment and cheering wildly the next. The new American Musical Bandstand is a terrific show.  It helps that I like swing music and a whopping good story.

The performances of the entire cast, especially Laura Osnes, Corey Cott and Beth Leavel, are first rate.  The energy and choreography is fantastic.  And I have a new theme song – “Everything Happens” in the second act.

All that said, I am afraid this will not be around so long.  With limited Tony nominations – and not for Best Musical- it may not be able to stand out enough at the box office.  Especially in a season where we have 13 new musical on Broadway – and some of those outstanding and flashier.

So see it if you get the chance.  Before it flies away.  I’m confident you will enjoy it as much as I did.

BWAY Bandstand

As always you can find more at and on Twitter @walterthinnes